Author Interview : Corban Addison Human Rights Activist and author of highly acclaimed The Garden of Burning Sand
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Corban very graciously offered to be interviewed by The Crime Warp and I nearly bit his hand off so keen was I to say yes.
Liz: When you made your research trip to Zambia did
you go with an idea of the storyline and the type of characters you wanted to
include or did you go with a completely blank canvas?
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Liz: For an attorney who, I’m presuming, is more used to
legalese than creative writing, where do you think your extraordinary talent
for storytelling comes from?
Corban: I was born to
write creatively. Stories come easily to me. I had to learn how to write
legalese and was often quite frustrated with its limitations, as many judges
and attorneys who worked with me would attest. This was one of many reasons I
was delighted to start writing novels full time.
Liz: In The Garden
of Burning Sand your minor
characters kept the story grounded in the reality of being one of the
disenfranchised in Zambia, for example, the Zambian youth who attack Zoe, the
housemaid etc. How difficult was it to
write these characters and did you base them on people you met during your
research trip?
Corban: During my
research, I spent a lot of time with Zambians of all stripes, listening to
their stories and learning from their experiences. I borrowed a great deal from
them in writing the book, but I made very sure that none of my characters would
be recognizable as a real person.
Liz: Whilst reading The
Garden Of Burning Sand, my emotions ranged from anger to pity, to sadness
to helplessness yet, when I finished reading it, I found that I was left with a
very strong sense of hope. How did you
cope with the roller coaster of emotions especially when you were writing the
dark parts of the book?
Corban: I’m a hopeful
person, so I write hopeful stories. I’m also a realist, and I have no interest
in sugar-coating reality. I think the two strands go together quite naturally.
All of us are living our own stories, and hope (however grand or simple) is
what gets us out of bed each morning. As an author, I want to take my readers
into the dark spaces of human experience, but I’m committed to bringing my
stories to a satisfying and redemptive resolution. As human beings, we can’t
live without light. But unless we confront the darkness around us, we can’t
appreciate it.
Liz: One of the ongoing debates among organisations
providing humanitarian aid is how to use the money they have most effectively,
and indeed in The Garden of Burning Sand Zoe herself faces that predicament
when the Aid organisation she now heads won’t release the money for the
lifesaving operation. How important was
it for you to include that message in the book?
Corban: There are a
thousand and one perspectives about humanitarian aid. Some laud it; others loathe
it. The truth is more nuanced. There are lots of good people doing important
work in the world. There is also a lot of waste and fraud. I wanted to make the
question of aid personal for my readers—to give it a face, if you will. Many
people argue that money can’t solve the world’s problems. While this is surely
true, it’s also misleading. I wanted to show that some problems can be solved with money. I also wanted to show
that wealthy people—who are often vilified in stories—can be heroes, too. The
Giving Pledge promoted by Warren Buffett and Bill Gates is heroic in my opinion.
As far as I’m concerned, it doesn’t matter whether the aid is private or
public, it only matters that it gets into the hands of the people who need it
when they need it.
Liz: The Garden of Burning Sand, is, of course,
fictional. However, the types of
personal sacrifice made by some of your characters is often made by real people
and is often the catalyst for making lasting changes. (We need look only from,
Gandhi to Mandela to Malala for evidence of individuals sacrificing for the
greater good). Can you comment on this?
Corban: Sacrifices arise from
dilemmas—when a person is forced to choose between two or more competing
loyalties. All of us live our lives hoping we’ll never have to choose between
the people we love and the principles we believe in. But occasionally that
happens, and when it does, it can have far-reaching consequences. In Garden, Zoe has to choose between loyalty to her
father and brother and the demands of her conscience in testifying before the
Senate. Jack has to choose between his ambitions and his desire to reconcile with
Zoe. And Patricia Nyambo has to choose between loyalty to her husband and son
and her lifelong commitment to the cause of justice. I’m fascinated by these
dilemmas and I love to use them in my stories.
Liz: Now, Corban you are a Human Rights Activist and through
your books you raise awareness of humanitarian issues. Can you suggest a few small ways in which individuals
can make a difference?
Corban: Empathy is a
vital ingredient in a society as diverse as ours—indeed, inspiring empathy is
one of my goals as a writer—yet all too often it is in short supply. We can
teach our kids to care about people in need around the world. We can use our
voices, our votes, and our signatures to advance causes that matter and to
support those in power who champion them. And we can use our pocketbooks to fund
organizations that are making a difference. For a few suggestions of
non-profits I recommend, check out my website:
www.corbanaddison.com.
Liz: Lastly, What’s in the pipeline for you now - More
research trips, more books (I hope so), more interviews, time with the family
or all of the above?
Corban: I just turned
in the edited manuscript of my third novel, which will be released in 2015.
It’s a story I’m passionate about, and I can’t wait for readers to get their
hands on it. I’m working on a few more story ideas that I’m about to submit to
my publisher. It’s my hope to continue writing books like Garden for many more years to come.
Liz: I am so pleased you spent the time chatting to us and
best wishes to your family from the crime warp.
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