Blog Tour: David Jackson - A Tapping at my Door
‘Recalls
Harlan Coben - though for my money Jackson is the better writer.’
The Guardian
The Guardian
Published
by Zaffre, 7th April 2016 2016, hardback, 18.99
eBook published 7th April 2016, £8.99
eBook published 7th April 2016, £8.99
From the bestselling author of Cry
Baby, A Tapping at My Door is the first of a brilliant and gripping police
procedural series set in Liverpool.
Once upon a midnight
dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door...
-- The Raven, Edgar Allen Poe
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of someone gently rapping, rapping at my chamber door...
-- The Raven, Edgar Allen Poe
Home
alone one evening, Terri Latham is disturbed by a persistent tapping at her
back door. She's relieved to discover the culprit is a raven, and tries to shoo
it away. What she doesn't know is that it is the prelude to a terrifying attack
- Terri’s body is found in her garden the next day with her eyes gone and a dead
raven and placed across her face.
DS
Nathan Cody, just back to work after an undercover mission that went
horrifyingly wrong, is put on the case to determine the significance of the
raven left at the crime scene. As flashbacks from his past begin to intrude,
Cody realises he is battling not just a murderer, but his own inner demons too.
And
then the killer strikes again, and it becomes all too apparent that the threat
isn't to the people of Liverpool after all - it's only to the police. As more
police officers are killed, Cody finds himself in a race against time to catch
the killer.
Following
the success and acclaim of the Callum Doyle novels, A Tapping at My Door is the first instalment of David Jackson's new
Nathan Cody series.
Who is Nathan Cody? David Jackson explains:
When I was writing my first series of crime thrillers set in
New York, my boss at the time seemed convinced that the handsome, macho, brave
protagonist was based solidly on him. I think he may have been joking, but I
was never quite sure.
My new series of novels, set in Liverpool, features a very
different lead character by the name of Nathan Cody. Once an undercover cop,
Cody now works for the Major Incident Team, dealing mainly with high-profile
homicides.
What do we know about Cody? Well, I deliberately avoid
saying much about him in terms of physical description, other than he looks
about ten years younger than he actually is, and so is not always taken
seriously as a copper. He’s an extremely troubled man, having experienced a highly
traumatic event during his last undercover operation. When we meet him in ‘A
Tapping at my Door’ he is at a crisis point in his life. He suffers from
hallucinations, lucid nightmares, and sudden loss of temper. His condition led
to a break-up with his fiancée, and now he is on the verge of losing his job –
the one thing he is desperate to cling on to. To make matters worse, his father
hates the fact that he joined the police, and has practically disowned him,
taking the rest of Cody’s family with him.
Despite all this, Cody is kind, generous and devoted to
finding justice for victims. He has also managed to hang on to a sense of
humour. He lives alone in a top-floor flat on Liverpool’s Rodney Street (the
Harley Street of the North). For company he has his mountain of books. He also
whiles away his time playing guitar and working out in his home gym.
So that, in a nutshell, is Nathan Cody. And if you’re
wondering whether he is based on anyone I know in real life, the answer is yes.
Nathan Cody is me.
But he’s also not-me.
Let me explain. Whenever an author creates a character with
any depth – one with opinions and feelings and memories – it becomes necessary
to get inside the head of that character. In practice, though, we writers can
only get inside our own heads, and we have to make use of what we find there.
If, for example, I make Cody say something funny, I am drawing on my own sense
of humour. If I make him frightened, I am exploring my own fears, and what it’s
like to experience them.
In fact, in creating any major character – hero or villain,
man or woman – I am using myself as a baseline. Sometimes the character will
possess an exaggeration of my own attributes; other times it may be the polar opposite
of how I feel. But it always starts with me. Cody is more traumatised than I
am, but I know how it feels to be anxious or afraid, and I can build on that
for Cody. Similarly, Cody is undoubtedly braver than I am, but again this can
only be based on my own notions of what bravery is, and how it feels to confront
one’s demons.
There is a passage in the Bible where an apparently insane
man, when asked who he is, replies, ‘I am Legion, for we are many.’ I’m
thinking of pinning that phrase above my writing desk.
David Jackson is the author of a series
of crime thrillers featuring New York Detective Callum Doyle. His debut novel, Pariah, was Highly Commended in the Crime
Writers' Association Debut Dagger Awards. His fourth book, Cry Baby, went straight into the top 10 of the Amazon Kindle
bestsellers, and was listed as one of the Amazon
Best Books of 2014- it has sold, to date, over 130,000 copies. Translation
rights of his books have been sold to various territories. He lives on the
Wirral peninsula with his wife and two daughters.
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